Record Club: Oceanator – Things I Never Said

Record Club was intended to be a regular feature on this blog where I talked about the records I bought, a love letter to the physical medium and a look into the mind of a life long collector. Then I promptly stopped blogging. Woops.

The last time I wrote one of these was almost 5 years ago. The last time I personally wrote anything on this blog was over 4 years ago. I didn’t fall off the face of the earth or anything but I moved to Phoenix, Arizona so, I don’t know, same difference to some people? Life got in the way of any pretense of being a “freelance writer” — but my brother(co-blogger of 15 years, off and on) and I started a podcast 2 years ago and we just recently surpassed 100 episodes.

Back in July we had Elise Okusami on as a guest to discuss a sort-of random record (that’s our gimmick). Elise is the mastermind behind Oceanator, a NYC based grungey indie project who recently put out their debut full-length Things I Never Said on her own label Plastic Miracles. I’ll give you the hype right here before I dive into the body of this post. This record is so good I HAD to start blogging again, I had to tell the world, the people need to know.

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Extended Play: .gif from god, Bad Friends, Dad Thighs and Karate Kids

extended play

Now that we have wrapped up our retrospectives on 2015 we can really begin to turn our focus towards everything 2016 has to offer. I’ve made a lot of resolutions for myself this year, ranging from the usual “get in shape” goals to some loftier creative pursuits. One of my resolutions is to keep my eyes peeled wider for new and more esoteric bands. It took a little digging and a lot of sampling but before too long I’ve already found a handful of releases from just this first week of the new year. So, here are a couple solid short releases to get your New Year rolling.

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Review: Bars of Gold – Wheels

I came much too late to the Bear Vs. Shark party. My musical tastes were much more oriented around Christian metalcore around the time that Terrorhawk was released but I do distinctly remember seeing banner ads for that record as I would trawl Purevolume for new music. I think not much later I would see ads for 30 Seconds to Mars or something like that and for at least a few years after I would always associate BVS with that scene despite the band having very little in common with that mid-00s post-hardcore. It would be some time before I would finally take a chance, thanks to a young Irishman I encountered on a small messageboard that I ran in my late teens(one of my first social media ventures) and though it would still be some time before those two records would totally engulf me; the seed was planted in good soil that time.

So, Johnny-come-lately as I have been–not just with BVS but with many great bands–I can safely say that I got in very early with Bars of Gold; the new vehicle for Marc Paffi and Brandon Moss, vocalist and drummer respectively. From the first live recordings to their debut LP of Gold, the Wildcatting-plus one Detroit based group have enamored me. Much like Bear Vs. Shark they have managed to consistently warp frantic rhythm, messy leads, and howling vocals into superbly catchy, lyrically mystifying yet emotional satisfying bundle. Right around two o’clock this afternoon my only aim for later that evening was to plunge head first into one of my most anticipated records of the year.

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